Get Started in Making Videos for Social Media

Video is king in today’s world of social media. Engagement is better with video content (hootsuite), so this should be a top priority when it comes to content creation. But whether you are in a startup, small business or even a multinational, budgets still exist. And if you are trying to fill your social media calendar with video content, external video production companies aren’t always feasible to use all the time as the costs will get out of control. Don’t get me wrong, for certain productions you need a proper crew, especially for content such as national campaigns and TV spots. However if we want to fill our social media calendar up with those 30 second shorts, why not shoot it yourself?

If you are looking to get started, I’ve put together a list of what you will need to start shooting fast. The gear listed is intended to be for quick and easy shooting without requiring a crew to help set up, or a lot of time in post production.

1. Camera and Lens 

This is going to be your starting point and where most of the budget is going to go to. First I just want to say, don’t even consider a DSLR. Their time has passed. If you are just starting out, you have a clean slate to get in to a good mirrorless ecosystem. 

For cameras and lens, I would recommend the Fujifilm X-T3 with the 18-55 lens. This would be my first choice and a big reason for this is it can shoot 4K 60fps. 4K resolution is great because if you are exporting to just regular HD, you can zoom, or punch in a little bit in your footage without much losing image quality. 60fps is great because most of the time you will be exporting video to 24/25 frames , so this allows you to get those cinematic, slow motion type of shots. The X-T3 will also save you time in post productions because the colour profiles are good straight out of the camera. Less time tweaking colours will really speed up your workflow.

Another great camera would be the Sony A7III. This camera gives you that super cinematic full frame look, and more depth of field. You only get 4K 30fps, but you can shoot in HD at 60fps. Keep in mind that lenses will be more expensive and bigger than the XT3 which is a APS-C sensor. You can pick up the 24-70mm f4 lens to go with the camera if you don’t want to break the bank.

Both of these cameras are great not only for video, but also for stills photography as well, and that’s why they are my main recommendations. The lenses I’ve recommend have a very versatile focal length so they will capture anything from wider interior shots, to close up portraits. Video eats up battery life, so don’t forget to pick up a few spares for the camera you choose. 

XT3 with Lens Kit: https://amzn.to/2Va0SD8

Sony A7III: https://amzn.to/2TaZkfQ

24-70mm f4 for Sony: https://amzn.to/2Nww0dH

2. Sound 

Sound is the most important thing on this list. I know it sounds crazy, but if you watch a video with bad image quality and great sound, you can still get your message across. Put it the other way around, and your message might get lost. I would recommend the Sennheiser wireless lapel system and this easily plugs right into the camera. Wireless lapel mics are great because you can get good quality sound without being anchored to your subject. I would also recommend the Rhode Video Micro if you are recording sound where a lapel isn’t practical. You can mount this to the hot shoe on top of your camera.  For the ultra cheap option, you can use your iPhone and plug a mic straight into it. You will need to sync audio later as your phone and camera aren’t speaking to each other.

Speaking of syncing audio, external sound recorders are good, but this will require extra set up time, configuration, and of course, audio syncing. The benefits of an external sound recorder is that it gives you more flexibility and will allow you to plug in multiple microphones. I’ve used a Zoom H6 and can highly recommend it.

Sennheiser wireless lapel system: https://amzn.to/2NHL7Ry

Rhode Video Micro: https://amzn.to/2SzLGh3

Zoom H6: https://amzn.to/2IMBMZC

3. SD cards 

When recording in 4K 60fps, just any SD card won’t do. Don’t buy the cheapest with biggest capacities, you will need something that can handle the high bitrates from 4k video. I would recommend SanDisk cards like the Extreme Pro. Remember to buy these from reputable sources. If they are extremely cheap, be wary as they might be fakes.

SanDisk Extreme Pro: https://amzn.to/2EIZ3I0

3. Lighting 

If you are just starting out, I would get a lighting kit so you can get everything you need in one go. Aputure make some great quality lights and you can get up to 3 of them in a kit. You will also need with light stands to mount them, and some diffusers to soften the light. Having portable lighting will allow you to get good looking shots in situations that would otherwise be difficult to do so. This could include things like shooting with a window behind you, a dark room in an office, or around fluorescents.

Aputure Light Kit: https://amzn.to/2J14TsD

Light Stands: https://amzn.to/2J14TsD

Light Diffusers: https://amzn.to/2XBZCLl

4. Video editing software

The thing to consider when picking software, is knowing if you want to get better at video editing and have this as a skill you can keep building on in the future. I’ve split up this list as free programs, and pro programs. There are in-between programs, but I can’t think of any I would recommend.

Free Programs

If you are getting into video and want to invest as little as possible to get started, try out either of these programs. They will let you put together simple videos, and if you don’t need anything super demanding or technical, they will get the job done.

  1. Windows Movie Maker

This program will get you started and you can get it for free if you are on Windows. It will allow you to cut and edit clips together with very basic functionality. Super easy to use, but also super limited.

  1. iMovie

The free equivalent if you are using a Mac. Same story as the above.

Pro Programs

If you really want to build on video as a skill, jump in the deep end and start with one of these programs. This will save you putting hours and hours into iMovie for example, and having to relearn as soon as you are ready for something more advanced. You will save a lot of time by just starting here and sticking with one of them. These programs have a lot going on, so the more time you put into them, the easier they will be to use.

  1. Premiere Pro

Premiere Pro is what I use and what I would recommend. You can do everything you need with this program, and if you are already in the creative industry, chances are you already have the program as part of the Adobe Creative Cloud software package.

  1. Final Cut Pro

If you are using a Mac, you can consider Final Cut Pro. In my opinion it is a bit better optimised than what Adobe Offers, but you are restricted to using a Mac and the hardware that comes with it. If you really like the Mac ecosystem and plan to continue on using a Mac, definitely consider it.

5. Tutorials 

Once you get all the gear and software, you will need to learn how to use it. The best way to do it, is whenever you have a question, put it into YouTube and find a video that walks you through it. This is how I taught myself to make videos, and you can do the same. Unless you are looking for something incredibly specific or advanced that you can’t find anywhere else, avoid paying for any guides. Questions like, how do I set up my lighting, or how do I use Premiere Pro can all be answered through videos on YouTube. Of course, you can also contact me if you have any questions. You won’t be able to learn how to do this all in a day, but once you pick up the skills, you’ll be an invaluable asset to your team.  


Remember, we aren’t trying to make huge budget productions here. If you are a smaller marketing agency, this is enough for you to visit your clients new cafe, film the coffee machines and interview the baristas for that 30 second targeted Facebook ad. If you are a large corporate looking to fill out your social media calendar, this will do the job of filming some of the managers for a few career profiles on LinkedIn. Keep in mind that all the gear here is expandable as well. You won’t need to replace anything, you can just add things to your kit if the need arises. If you have any questions, feel free to ask.

I’ve added Amazon links to make it easier to learn more or even purchase the products I am recommending. I am an Amazon Affiliate and I do receive payment for any products bought through referral links.

Little Review, Little Lens - Fujifilm XF 23mm f2

Xpro-2 with 23mm f2 - iPhone 6 Plus

I've been using the Fujifilm XF 35mm f1.4 for years, I love the way it renders and found the autofocus to be more than fast enough for what I usually shoot. However, every once in a while I would encounter an unsolvable problem with that lens... the focal length. Sometimes it felt just too long. Don't get me wrong, I love that focal length, it allows you to get a bit closer without getting too close to your subject. But I was finding myself in situations where sometimes I just couldn't step backwards, such as sitting at a table, or the threat of falling off a cliff. 

X-Pro2 + 23mm f2, f2.2, 1/40, ISO 200

So I decided to pick up the Fujifilm XF 23mm f2. I figured the weather resistance and small size would go well with the X-Pro2. This is going to be a real world review, I'm just taking pictures, no charts or graphs to show sharpness. I'll show you photos that I took, and I'll give you my opinion so you can make yours. 

X-Pro2 + 23mm f2, f4, 1/2500, ISO 200

The focal length of the lens feels more versatile than the 35mm, and with the 24MP of the X-Pro2, I could crop in a little bit more if I needed that extra reach without losing too much detail. This was handy as the first week of getting used to the lens had me cropping quite a bit. And for portraits, you really do need to get closer. I can see why people really like the 50mm equiv. focal length for street photography, with a 35mm equiv. you really need to get up in peoples faces to isolate them. 

X-Pro2 + 23mm f2, f8, 1/750, ISO 200

Before I got this lens, I was hearing a lot of reports about how it resolves very soft when wide open, focusing on a close subject. In the first couple of weeks I made sure to stop the lens down when doing exactly this to make sure I didn't run into this issue. 

Close focusing, X-Pro2 + 23mm f2, f4, 1/160, ISO 200

I usually shoot the Fujifilm XF 35mm 1.4 wide open, even more so with the X-Pro2 because of its high possible shutter speeds. So I decided, next time I take the 23mm f2 lens out for a day of shooting, I'm going to leave it on f2 and not even touch the aperture ring. Would the lens be too soft to be used most of the time at f2? Does it always need to be stopped down? I had an opportunity to answer these questions as I got to go sailing on a windy day. It turned out to be pretty exciting as I even got to test out the lens and camera's weather sealing capabilities! Let's take a look. 

X-Pro2 + 23mm f2, f2, 1/12000, ISO 200

X-Pro2 + 23mm f2, f2, 1/10000, ISO 200

X-Pro2 + 23mm f2, f2, 1/4700, ISO 200

Even with subjects focused closely, the sharpness is acceptable. Just from memory it isn't as sharp as the 35mm f1.4 wide open. However, I really like the look. 

X-Pro2 + 23mm f2, f2, 1/18000, ISO 200

X-Pro2 + 23mm f2, f2, 1/22000, ISO 200

The above two photos are really something I would usually shoot stopped down, but of course I wanted to keep it at f2 for this review. There is some heavy vignetting on the corners, so stop it down if it bothers you. Below are more shots with the lens from my recent trip to the Philippines. 

X-Pro2 + 23mm f2, f5.6, 1/620, ISO 200

X-Pro2 + 23mm f2, f7.1, 1/850, ISO 200

X-Pro2 + 23mm f2, f5, 1/750, ISO 200

Buy: https://amzn.to/2VDUEMj

I am an Amazon Affiliate and I do receive payment for any products bought through referral links.